Dialogue is one of the most important elements of scriptwriting. It is through dialogue that characters come to life, that relationships are formed and developed, and that the plot of the story unfolds. But writing great dialogue is not easy. It takes skill and practice to create conversations that are realistic, engaging, and true to the characters speaking them.
In this blog, we will explore some tips and techniques for writing dialogue that will help you take your script writing to the next level.
How to Frame Dialogues in Script
Start with the characters
The first step in writing great dialogue for your script is to understand the characters who will be speaking. What are their motivations? What are their goals? How do they feel about each other? By understanding the characters, you can create dialogue that is true to them and that reflects their unique personalities.
Keep it simple
One common mistake that many writers make in scriptwriting is trying to be too clever with their dialogue. They use big words, long sentences, and complex metaphors in an attempt to impress the reader. But in reality, the most effective dialogue is simple and straightforward. Write dialogue that is easy to understand and that gets to the point.
Use subtext
The subtext is the unspoken thoughts and emotions that are communicated through dialogue in scriptwriting. It is what lies beneath the surface of the words that are spoken. To write great dialogue, you need to use subtext to create layers of meaning and to reveal the true thoughts and feelings of your characters.
In the below example, the subtext is that CHARACTER 1 is threatening CHARACTER 2, but neither of them says it explicitly. The tension in the scene comes from what is left unsaid, and the audience is left to infer the true nature of the conversation from the subtext.
CHARACTER 1: (calmly) You’re not afraid of me, are you?
CHARACTER 2: (nervously) Why would you say that?
CHARACTER 1: (smiling) Because you should be.
CHARACTER 2: (alarmed) What do you mean?
CHARACTER 1: (leaning in) I mean, I know your secret.
CHARACTER 2: (defensively) I don’t know what you’re talking about.
CHARACTER 1: (chuckling) Oh, I think you do. And I think you know what’s going to happen next.
Listen to real-life conversations
One of the best ways to learn how to write great dialogue is to listen to real-life conversations. Pay attention to the rhythms and patterns of speech and to the way people use pauses, filler words, and nonverbal cues. By listening to real-life conversations, you will learn how to write dialogue for your script that sounds authentic and true to life.
Use silence effectively
Silence is just as important as words in a conversation. Sometimes, what is not said is more powerful than what is said. In Script writing, Use silence to create tension, to reveal a character’s thoughts, or to let the audience fill in the gaps.
Use conflict and tension
In Script writing, Great dialogue should have conflict and tension. Characters should be in opposition with each other, whether it’s between two characters or a character and their inner thoughts. Without conflict and tension, conversations can become monotonous and uninteresting to the audience. Injecting conflict and tension into dialogue will keep the audience engaged and invested in the conversation.
In this example, the tension comes from the fact that the two characters are in a dangerous situation and must make quick decisions. There is conflict between them because CHARACTER 1 wants to leave the others behind in order to save themselves, while CHARACTER 2 is more concerned about the safety of the group as a whole.
CHARACTER 1: (whispering) Did you hear that?
CHARACTER 2: (nervously) Hear what?
CHARACTER 1: (pointing) Over there. I saw something move.
CHARACTER 2: (alarmed) What do we do?
CHARACTER 1: (urgently) We have to get out of here. Now.
CHARACTER 2: (hesitating) But what about the others?
CHARACTER 1: (frustrated) The others are on their own. Our priority is to survive.
Vary dialogue with action
Another way to keep dialogue interesting is to vary it with action. Instead of having characters talk for long periods of time, use an action to break up the conversation and to show the audience what is happening. For example, have a character make a phone call while they are cooking dinner or have them take a walk while they are talking. This will make the conversation more dynamic and visually interesting.
An example of this can be,
Character A: (acting erratically) I just can’t seem to focus today.
Character B: (confused) What’s going on with you?
Character A: (shaking their head) I don’t know. Maybe I’m just scatterbrained.
Character B: (smiling) You? Scatterbrained? Never.
Character A: (defensively) Hey, I can be focused when I want to be.
Avoid using too much expository dialogue
Expository dialogue in scriptwriting is when a character explains something to another character or to the audience. While it can be necessary to convey information, too much expository dialogue can make the conversation feel forced and unnatural. Instead, try to convey information through actions, body language, and subtext.
Use humor
Humor can be a great way to add levity to a conversation in script writing and to make it more engaging. But be careful not to use too much humor or to make the conversation feel too light. The humor should be in line with the tone of the scene and the characters speaking.
Practice and experimentation
The best way to improve your dialogue in scriptwriting is through practice and experimentation. Write different types of conversations and scenes, and try different techniques. Read your dialogue out loud to see how it sounds and get feedback from others. The more you practice, the better you will become at writing great dialogue.
Give each character a unique voice
One of the most important things to keep in mind when writing dialogue is to give each character a unique voice. Each character should speak differently and have their own distinct way of communicating. This can be achieved by giving them different backgrounds, personalities, and motivations. Giving each character a unique voice will help to make them more distinct and memorable in the minds of the audience.
Avoid using too much small talk
Small talk is the type of conversation that people use to fill in silence or to avoid discussing more serious topics. While small talk can be useful to establish a character’s background or relationship, too much small talk can make a conversation feel unimportant and dull. Instead, use small talk sparingly and focus on the more significant conversations that drive the plot and reveal character development.
Show, don’t tell
A common mistake in scriptwriting is to have characters tell each other things that the audience can already see. Instead, show the audience what is happening through dialogue and actions rather than have characters explain it to each other. This will make the conversation more engaging and will allow the audience to draw their own conclusions.
Use different rhythms and tones
To make your dialogue more interesting and engaging, use different rhythms and tones in your conversations. For example, you can use short, snappy sentences to create a sense of tension and urgency, while longer, more contemplative sentences can create a sense of calm and introspection. Experiment with different rhythms and tones to find the right balance for each scene and conversation.
In this example, the rhythm of the dialogue is slow and measured, with the characters speaking quietly and thoughtfully. The tone is serious and emotional, with the characters discussing their struggles and offering support to each other.
CHARACTER 1: (quietly) I don’t think I can do this anymore.
CHARACTER 2: (concerned) What do you mean?
CHARACTER 1: (shaking their head) I mean, I can’t keep pretending everything is okay when it’s not.
CHARACTER 2: (softly) I understand. It’s okay to feel that way.
Use subtext to reveal the character’s thoughts and emotions
The subtext is what a character is really thinking or feeling, but not saying outright. This can be a powerful tool for revealing a character’s thoughts, emotions, and motivations in a subtle and natural way. For example, a character might say “I’m fine” when they are clearly not fine, revealing a deeper emotional state that is not immediately obvious. Use subtext to add depth and complexity to your characters and to make the dialogue more interesting and engaging.
Pay attention to pacing
Pacing is the rhythm and speed at which dialogue is spoken. It can greatly affect the tone and mood of the scene and how the audience perceives the conversation. For example, a fast-paced conversation can create a sense of urgency, while a slow-paced conversation can create a sense of calm. Pay attention to pacing in your dialogue and use it to create the desired tone and mood for the scene.
Keep dialogue concise
When writing dialogue, it’s important to keep it concise and to the point. Avoid long-winded speeches or monologues that can become tedious for the audience to listen to. Instead, aim for shorter, more focused conversations that get straight to the point. This will keep the audience engaged and help to move the story forward.
Use silence effectively
Silence can be just as powerful as words in a conversation. The absence of dialogue can create tension, suspense, and dramatic pauses that can make a scene more impactful. Use silence strategically to create a sense of unease or to give the audience time to process what has just been said in your script
Read your dialogue out loud
One of the most effective ways to improve your dialogue in script writing is to read it out loud. This will give you a better sense of how the dialogue sounds and how it flows. It will also help you identify any awkward or unnatural-sounding phrases that may need to be revised.
Revise and edit
Remember that writing great dialogue is a process. It takes time and practice to get it right. Revise and edit your dialogue repeatedly to make sure it is clear, concise, and true to the characters.
Conclusion
In conclusion, writing great dialogue is an essential skill for any scriptwriter. It is through dialogue that characters come to life, that relationships are formed and developed, and that the plot of the story unfolds. By understanding the characters, keeping it simple, using subtext, listening to real-life conversations, using silence effectively, and revising and editing, you will be able to write dialogue that is realistic, engaging, and true to the characters speaking them.
